5/5 – Even though I’m absolutely not the target audience of this book, I still learned a lot.
5/5 – Even though I’m absolutely not the target audience of this book, I still learned a lot.
This video by Thomas Frank inspired this blog post. I highly recommend checking it out if you have the time! It’s generalized to any creative process, but I want to offer resources and exercises for authors to do to help us finish our WIPs! Many of these are tried-and-true methods for beating writer’s block, so let me know if you’ve tried them before, and how they work for you!
This is a random topic compared to my usual posts, but it’s one that’s been knocking around in my brain for a while. I’m currently in five campaigns (that meet with varying degrees of regularity), I’ve finished several one-shots and two long-running games, and have two more on deck for the summer, so I’ve had plenty of experience coming up with whacky characters and navigating the dilemmas that the DMs throw at as. I’ve only DMed a few times myself, but I am always in storytelling mode, so this was really just the natural result of exposure to the clicky-clacky-math-rocks. This is less focused on mechanics, and more geared toward player dynamics and character creation, but I hope you find it useful!Continue reading “6 Ways DnD Has Made Me A Better Writer”
If you’re here looking for a guide on how to write a fight scene, I’m afraid you’re in the wrong place. There are approximately 59,900 results on google about descriptive verbs and pacing, which are useful, but that’s not what I’m here to talk about today. Today we’re talking about characterization.
Everyone loves a fighter. They’re compelling by nature – someone who’s willing to put their life and safety on the line for something they believe in or a person they care about is someone the audience will root for. But how does this archetype act when they’re not in combat? How might a trained character approach a battle differently from your average Joe? I think the mindset of a fighter is interesting to explore in slice of life scenes, and this article will break down some ways to think about your OCs in a different context.
What are my credentials to talk about this? I did Shotokan Karate for 9 years, fencing for 3 semesters (started with Epee and switched to Sabre recently, if you’re curious), and just started taking Tae Kwon Do on my college campus. I am not a sharpshooter, but I have some experience with both firearms and bows as well. This article won’t get into details of different weapons or fighting styles, but the advice will apply to a broad range of contexts and genres. So, shall we begin?Continue reading “How To Write A Fighter”
(This is a republished version of a guide I wrote on Tumblr a while ago that many people seemed to write. I’m posting it here for the benefit of the wider blogging community and for ease of searching because tumblr’s tagging system is notoriously trash.)
There are a few key aspects of the family dynamic you’ll want to keep in mind that will influence how the different relationships form! Siblings can have such a complex relationship that becomes fascinating to see in larger families: they can be best friends and worst enemies, and it’s a criminally underrated dynamic in fiction. Speaking as someone with 4 younger siblings, I’m here today to show you how to build accurate and compelling relationships for your characters.Continue reading “How To Write Siblings”
Hello my friends, and Happy Thanksgiving if you celebrate! I had meant to share with you today an excerpt from Store, which explains the yellow rose symbol you can see around my blog and social media. This scene comes from chapter 12, and I had left off editing several months ago on chapter 10. Since I took a hiatus to work on Runaways, I needed to reread much of what I already completed in order to figure out what to do next. In the process, I started experimenting with a new method to stay organized. Storge is a hugely complicated
read: painfully over-ambitious story, with 3 (and a half) subplots (if you count the Avian drama), and eight POVs, so I needed a new way to keep all the details straight and my old word doc list method didn’t cut it. I’m quite pleased with how my new spreadsheet works, but got so carried away in my analysis, and midterms, and hosting our family’s feast, that I never finished the scene.
But I’ve been talking about this incessantly on tumblr, so I’m not wholly without content for you today. I’ve created a blank version of my sheet, which is available here for you to copy and use for your own stories! I also created a blank version of the outline I use for brainstorming my stories. Both of these documents are shared by clicking on the links, and you will have editing privileges. Kindly don’t write in this document, make a copy, then leave the original blank for others to use! I explained how I use my brainstorming documents in this post and broke down the editing process from first read-through to final draft in this post. With the links out of the way, the rest of this entry will is an updated version of Step 3 in the editing process: the Developmental Edits.Continue reading “Free Templates: Outline and Edit Sheet”
I first encountered The Invisible Life of Addie LaRue by V.E. Schwab on bookstagram where it seemed like everyone was discussing the story. This novel hit the NY Times Bestseller List for 37 weeks straight through July this year, and not without good reason. In my opinion, the story more than lives up to the hype, and it is so effectively compelling because of the symbolism Schwab weaves through the narrative. Today I want to discuss three of the most important motifs that make Addie’s story so memorable and how aspiring authors can learn from Schwab’s writing to create meaningful symbols of their own. This will contain some spoilers, so if you haven’t read the book yet, beware of that before reading.
Adeline LaRue is a young woman living in the small town of Villon, France in 1741, who desperately wants to see more of the world. She feels trapped in an engagement she doesn’t want, and fears the headlong rushing of time, saying, “I don’t want to live and die in the same ten meter plot.” Her faith is torn between the Christian God of her parent’s and the old gods of her elder friend, Estele. On the night of her wedding, she flees into the woods and pleas for some higher power to save her from her fate, and the night answers. Despite Estele’s warnings to never pray to the gods who answer after dark, Adeline strikes a deal with him. At first, she offers a wooden ring, carved for her as a child by her father, but the god doesn’t deal in “trinkets.” They bargain, and draw their terms: immortality in exchange for her soul when she doesn’t want it anymore.
When she returns to the town, she finds that everyone she knew has forgotten her. She cannot remind them of her name, because every time she tries to speak the words, they get stuck in her throat. She cannot write or leave any permanent mark. Any interactions “reset” the curse. As soon as the other person walks away, they forget her again. However, she can steal. She takes some bare essentials and a wooden bird from her father’s workshop before fleeing the town. The story follows Addie – no longer Adeline – between her past through the centuries, and modern day NYC, as she navigates her curse and meets Henry Strauss, the first person in over 300 years who remembers her.Continue reading “Symbolism in Addie La Rue”
Hello my friends, today we’re covering every English teacher’s favorite subject! (cue collective eye roll). Take it from someone who started an engineering major specifically to avoid taking Lit classes: Symbols can actually be a fascinating and extremely effective technique to elicit emotional reactions from your characters and your audience. It’s one of my favorite, but poorly understood, rhetorical tools in a storyteller’s arsenal, so today I wanted to break down the topic and discuss how to write symbols that work.Continue reading “How To Write Impactful Symbols”
Framing Structures are a literary device used to add context to a story for the benefit of the audience’s understanding or deepening the experience. They’re everywhere in fiction, but how can you choose which one works best for your story? In my experience, they fit into one of the following six categories, which I’ve defined for you today! Each has different purposes, strengths, and weaknesses, and none is better than the others, so this article takes an analytical look at what makes them work well, and includes examples to illustrate. So let’s get into the trope talk, shall we?Continue reading “6 Types of Framing Structures”
This article is a little different from my usual fare. Between school and last week’s post, I wanted to talk about the practical side of being a creative writer while studying and working in engineering. Most of us aren’t full-time writers, so I’m hoping some of this applies to other people. At least, I hope it provides an interesting insight into why I’ve made certain choices with this blog. This also serves as an answer to some questions I’ve gotten on Tumblr about this topic, so I hope you enjoy!
I started posting my writing online on Tumblr the summer before I started uni. I considered how I wanted to present myself in both aspects of my life. It was my first venture into any social media, so I set up accounts using my real name to connect with professionals from my school. I also didn’t want my engineering professors, admissions councilors, or potential recruiters to google my name, find my “fantasy adventure nonsense,” and get confused. Or worse, dismiss me as being too flighty or inconsistent to succeed in the engineering field. I also wanted to maintain a certain level of privacy. If my writing attracted negative attention, I would have the safety of anonymity.
A year, a manuscript, and a community later, I started this website. Hi! I’m Etta Grace. Welcome!