Hello! I’m picking up again today with this series, but if you missed the first two parts, you can read those at the following links: Part 1, Part 2. For convenience sake I’ll put a summary and color code guide, but if you’re already up to speed, you can skip the next paragraph.
When we last left off, Edmond Dantes (aka the Count of Monte Cristo, Abbe Bussoni, Lord Wilmore, and Sinbad the Sailor) had moved to Paris and started meddling in the affairs of the other characters. He gets the default black color. His old love, Mercedes, who recognizes him but says nothing out of fear and her son Albert are pink. The Count met Albert in Italy and saved him from bandits.Mercedes’s husband, Fernand Mondego (aka The Count de Morcef), in red, accused Edmond of treason to get him out of the way but doesn’t recognize him as the count. He is now wealthy after a military career in Greece.The reader also meets the Count’s “slave” and friend – a Greek girl named Haydee who is traveling with him.The Morrel family are old friends of Edmond is green. Notably, Maximilian is in love with Valentine de Villefort, but their marriage is impossibledue to a family grudge and her existing arranged engagement. Her grandfather, Noirtier loves her to death and does not get along with his son due to differing political views. He is disabled due to a stroke but communicates with her through blinking. Valentine’s mother hates her, dotes on her son, and takes an interest in poisons while ignoring her husband. Valentine’s father, the prosecutor Gerard Villefort, sentenced Edmond to prison, and tried to bury a baby in a box one time before he got stabbed by Bertuccio – a man with a vengance who took the child and raised him as his own. Their fun dysfunctional family is violet colored. The child, Benedetto, grew up to be a criminal and ran away from home at age 11. He’s not missing, and he gets Brown.. In the meantime, Bertuccio was also witness to Caderousse (the old cowardly and selfish neighbor) killing a jeweler to keep a diamond and large sum of cash. He was last seen on the run from the police, and is shown in yellow. The Count also makes an impression on Danglars, the greedy sailor who schemed to betray Edmond now turned banker, by taking out a huge line of credit. We also meet Madame Danglars, a scheming woman who doesn’t actually like her husband very much. Their daughter, Eugenie is engaged to Albert Morcef, and the family gets this blue color.
Welcome back to the summary! If you missed the last entry in this series, I’d recommend reading that first to catch up on the story. To recap the color coding, our protagonist, Edmond Dantes (aka the Count, Monte Cristo, Abbe Bussoni, Lord Wilmore, and Sinbad the Sailor) gets the default black color. His old love and fiancee, Mercedes, is pink. Her current husband, Fernand Mondego (aka The Count de Morcef), in red, accused Edmond of treason to get him out of the way, and is now wealthy after a military career in Greece. Edmond’s kindly employer and true friend, Monsieur Morrel, and the rest of the Morrel family including Maximilian and Julie are green. The greedy sailor who schemed to betray Edmond, now the rich banker Baron Danglars and his family members are blue. The cowardly and selfish neighbor who said nothing during the betrayal, Caderousse, gets yellow. And finally, Villefort, the prosecutor who sentenced Edmond to life in prison for his own political gain, as well as his family, get violet.
Hopefully that paragraph doesn’t hurt your eyes too much to read. Any new characters or plot elements will also fit into one of those colors to indicate a connection to the main ones. Also, I’ve figured out how to embed the original illustrations, so this should be a little more visually interesting than a wall of text this time. Let me know what you think!
Italy, Chapters 31 – 39
This section starts 10 years after the last events covered in part one, and in a completely different part of the Mediterranean with a completely different character: a young Parisian nobleman named Franz who lands on the island of Monte Cristo to go boar hunting. It’s supposed to be an abandoned scrap of rock, but instead, he finds there the crew of Sinbad the Sailor. Franz is blindfolded and taken to have dinner with Sinbad, who shows him an incredible display of wealth before drugging him and sending him on his way to Rome to meet up with his friend, Albert de Morcef – son of Fernand Mondego (aka the Count de Morcef) and Mercedes.
Welcome to February and March’s reading recommendation! In keeping with the outlining theme of the month, today I’m sharing a book with one of the most complex and interesting plots I’ve ever read. I listened to The Count of Monte Cristo audio book last summer and it is now one of my favorite classics. There are several movie and TV adaptations that I haven’t seen, but I want to focus on the book to demonstrate how Alexandre Dumas handles a story that spans several decades and dozens of inter-character relationships. Its the sort of story that works really well because of the slow pacing of a book, rather than being constrained by an arbitrary time limit, and hopefully by dissecting it, we can learn a few things about how to do this sort of plot as well.
This book is 1243 pages, 117 chapters, and over 375K words long, so I’m splitting this post up into four parts and stretching it out over the next month. I wanted to make sure I had enough page time to give enough context and that’s the winning option from my polls. That being said, I think there’s a statue of limitations when it comes to spoilers in 177 year old books, so I’m going to prioritize the “what can writers learn” aspect of the analysis in this article. If you’d like to read more, the whole work is available for free download on Project Gutenburg. True to form, I’m also color coding this! Try to spot the themes as I explain the twisty plot points!
Welcome to the first of this blog’s reading recommendations! In keeping with the theme of the month, each 3rd Friday, I’ll bring you a book that really shows off a certain aspect of storytelling that writers can learn from. Is this just a thinly veiled excuse for me to ramble about my favorite books? Absolutely. But there is something to be said for learning from other authors, so today, I’ll be sharing experts from The Chronicles of Prydain to show how Lloyd Alexander uses voice to introduce his colorful cast of characters. If you’re unfamiliar with the series, it’s a pentology of children’s high fantasy books that follow the life of a young man named Taran, an assistant-pig-keeper who stumbles into adventures where he helps protect his country from the evil forces of Arawn Death Lord.