Hello dear readers! This month’s book review is a little different from my usual fare because I’m covering a non-fiction craft book. Following last week’s post, I was motivated to dig into some deeper research on marketing, and was pleased to stumble across this How-To guide from one of my favorite resources. Today I’ll be sharing some notes and major take-aways that I hadn’t already learned from my earlier research! Hopefully this will include some insightful new information
This book is an incredibly detailed, thoughtful, and relevant look into the online publishing industry in 2021. It reiterates the fundamentals of building an author’s platform and offers advanced ideas for anyone who wants to take the business side of writing seriously. If you’re anything like me, you grew up with a lecture of “Writing isn’t a real career” and “you don’t want to be a starving artist, do you?” While it’s true that an extremely small number of authors become household names, there are countless other authors making a decent living off their craft and even working for themselves full time.
If this is your end goal, and you’re familiar with or at least willing to learn how to be a businessperson, then I highly recommend this book for you. If you’re not sure yet how much time and effort you want to put into your author’s platform, I still recommend this book, but specifically sections 1-3, which explain the fundamentals of how to make it in the publishing world. The language is very easy to understand, and it’s an excellent in-depth primer to get you thinking and planning for the future. Then, when you’re ready to tackle the advanced marketing and advertising sections of the book, you already have the reference material in your back pocket.
Additionally, the e-book is completely free. It’s roughly 60K words, but its an easy read and I got through it in about a week. The author, Ricardo Fayet is an expert in the industry and the co-founder of the company, Reedsy, which is how I found the book. Reedsy has proven to be one of the MOST valuable resources I’ve found in my researching endeavors, and I look forward to taking advantage of their free courses and other resources when I reach those points in my author’s journey.
So, without further ado, let’s get into the big ideas, shall we?
When I started my writeblr during a rotation break at my lifeguard shift, I never expected I’d be writing this post today. What I’m about to share with you is the result of two years learning how to navigate online writing communities, two marketing classes in my business minor, countless influences from successful authors I admire, and 22 pages of notes taken from my marketing and publishing research. I’ve learned so much and I’m honored to have come so far since I first started putting my writing out there on the internet!
Before I get started with the information, I’d like to include a few disclaimers:
This information is accurate and up-to-date as of Summer 2021. If you are reading this post at a later date, keep that in mind, and do your own research accordingly.
I am a white English speaker based in the US, so this research does not include a nuanced view of other countries’ markets, legal processes, and publishing industries, nor information on publishing in other languages or as part of a minority group. While I tried my best to make it as inclusive as possible within a realistic scope, it is by no means all-encompassing.
If you’re reading this, I’m assuming that you have a story you want to release! The first step to publishing is getting the manuscript into a state where it’s ready to be sent out into the world, which means editing. If you’d like a comprehensive guide on the editing process, check out this post first! That being said, I’ll start by sharing my publishing research!
Happy Summer, my friends! This month was a fun change of pace from the relentless toll of schoolwork, and my social calendar filled up fast. Between my busy work schedule, graduation and birthday parties, catch-up lunch dates and a friend’s wedding, I did my best to also catch up on my writing goals, often sneaking words in during road trips. I’ll be going back to campus in the fall, and I don’t want to take in-person learning for-granted after the last year and a half of zoom university. Since I anticipate throwing myself into clubs, research, and studies, I also know I need to make the best of this summer for the sake of my WIPs. “For everything there is a season, and a time for every activity under heaven…” (Ecclesiastes 3). Since this summer will be my season of writing before setting it aside, I made my creative goals fairly ambitious this month, and I’m pleased with how much progress I’ve made, even though there’s always a nagging voice in the back of my head that I could be doing more.
Welcome everyone! In June, I focused on the topic of tropes and adaptations, and couldn’t pass up the opportunity to interview one of my writer friends about her area of expertise! I’ve been following Karkki’s The Shield-Maiden Saga and other WIPs over on tumblr for about two years. It’s always a blast to see the new updates and lore, so I was happy for the excuse to host a Q&A, and honored to share the results with you! Thank you Karkki for agreeing to do this! I’m super excited to share her creativity with you all today. For this interview, my parts and questions are in the headings, and their responses are everything written below.
Question 1 – First, can you tell me about yourself, how long you’ve been writing, and what you write?
Thank you so much for inviting me to be interviewed! I’m Karkki, a Finnish architecture student in my mid-twenties. Other than writing I paint, sew, pet my cat and hike. I’ve been writing since I was around ten. At first it was just scenes of my OCs (I had a whole cinematic universe of them), but the first book form story I started to write, I did around 14, I think. Nowadays I write mostly adult dark fantasy, often smashed together with various different genres 😀
Question 2 – You write a lot of stories inspired by history and mythology; how did you first get into these topics?
I had a very strong Egyptian mythology phase when I was kid, like many others it seems. I was obsessed with it and I’ve always been fascinated by history. Later, in my teens I read an article about historical research on Vikings and it rekindled my interest in history and mythology. I got one of my earliest book ideas from that too, which after many twists and turns has become a historical fantasy WIP, The Shield-Maiden Saga. I gained interest in the more recent history after watching Pride and Prejudice (1995 of course) like many others.
Question 3 – How do you go about doing research?
I start with Wikipedia. It is a hole that sucks me in and won’t let me go. But even though it doesn’t contain the most in-depth and nuanced info, it’s a great way to learn of the things you want to learn about. After I’ve found interesting things I want to learn more about, I look for articles, books and videos. Depending on what I’m writing I pay attention to the credibility of the information. For historical fiction I look for multiple sources and make sure the text has proper sources. If I’m researching for fantasy, I only really focus on what is interesting and gives me inspiration.
Question 4 – How much of the research actually goes into the stories? Do you prefer to write AUs, strict historical fiction, or historically-inspired-fantasy?
All of them actually. Well, by AU I mostly mean our universe but with fantasy elements. My WIPs include historical fantasy set in Viking Age (which I mentioned) with some grounded history and a ton of fantasy elements, high fantasy inspired mostly from Regency period, Roman Empire and Finnish mythology, high fantasy inspired mostly by Victorian Era and Republic of Venice, and my newest WIP historical fiction set in Golden Age of Piracy with some magical realism. I’d say in the end a lot of the research never, at least directly ends up in the book. With historical fiction most of it is building the world and it’s in the background but might not be directly referred to. With high fantasy it’s even less as most of it is for inspiration and therefore not included as it is.
Question 5 – Do you get the idea for the story first, and then do research around the premise, or do you get story ideas from your research? Top down or bottom up?
My writing process is very messy 😀 I usually get a very broad idea I vibe with. Then I start researching it and get a lot more ideas and the story starts to shape up as I’m researching. I sometimes also read something not related to writing and inspiration hits. With high fantasy it’s usually more top down, I research something specific I need ideas.
Question 6 – What are your favorite historical periods and mythologies?
I have always a hard time picking my favorite anything so I’ll have to mention several. My favorite historical periods are the between World Wars period, Victorian Era, Golden Age of Piracy, Italian Renaissance, Late Medieval Period, Viking Age, Classical Rome, Ancient Egypt, Edo and Meiji periods in Japan and the Warring State Period in China. For mythologies: Finnish, Sámi, Egyptian, Celtic, Japanese, Slavic and Etruscan mythology. There’s a lot more historical periods and mythologies especially outside Europe I’m really interested in, but don’t know enough yet to say if they are my favorites or not. I am in the process of learning about the things I never learned in school.
Question 7 – What are some of your favorite tropes from mythology to use in your own writing?
One of my favorites, that I can’t stop using, is the concept of spirit and or magic residing in blood. I’ve come across it or something similar at least in Norse, Finnish and Sámi mythology. In Norse myths there’s stories of drinking the blood of an animal and gaining some of their abilities. In Finnish mythology though, the magic is described to be specifically inside bones, where the blood gets created. Another related trope I enjoy a lot is magic and spirit being one and the same. In Finnish mythology humans have three souls, one of them is an elf, also known as luonto (nature) or väki. Väki means both folk and power. The elves are often referred to as “väki”, but so is magic. It’s where humans gain their magical abilities.
One last trope I’ll mention is the very common trope of natural spirits. There’s the Finnish elves and Greek nymphs and many many others. I just really love anthropomorphic nature.
Question 8 – Do you subvert any of the classic tropes that you adapt?
One thing I like to do is include evil spirits and reveal they are not that evil actually and include good spirits and show them to be more questionable. Nature can see evil sometimes in it’s hostility, but it never really is. It’s always neutral. A specific instance of a subverted trope I’ve done is how I included Tyrfing, a cursed sword from Völsung Saga into The Shield-Maiden Saga. The sword is not actually cursed, rather it has an imprisoned elf inside, who just happens to be very bloodthirsty and sadistic.
Question 9 – How do you fit magic systems into your historical elements?
I often base my magic systems at least partly on mythology. I always make sure though that the magic system never works exactly like in mythology (or the internal mythology of the world). Mythology is born to explain the world people don’t understand so it would lose a lot of cultural context, if it was an accurate description of the world. When I create my own world, I often start with a magic system and then think about what kind of mythologies different cultures would build around it and other natural phenomena. When I use real world, I start with the existing mythologies and think how the magic would really work. I often combine different mythologies and add my own spins, as I don’t want to give the impression that any one culture got it right. I also often use a softer magic system. I feel like it better conveys the feeling of how science and magic worked back then. People didn’t know how they worked, but by trial and error they found some things that worked often, but not always.
Question 10 – Do you have any advice for other writers looking to build a historical-fantasy-scifi story?
First of all, if you take inspiration from the history of a culture you are not part of, do your research extra well. And if you’re writing historical fiction, double that. Use sources by the culture, since you’ll easily get a very biased view from the sources written by outsiders. If you are planning a world of your own, I’d suggest taking a broad look at a lot of different cultures and eras even if you know what period you’ll take inspiration from. It’ll give you a feel on the ways societies and cultures shape and what things are not universal.
But the main point is to have fun with it. If you don’t like researching, no worries, there’s no rule that says your fiction has to be historically accurate. Though if you don’t already know the culture intimately this approach might not work well. At the end of the day though, there’s no rules in writing at all. Read about the things that interest you and emphasize them in your writing. It shows positively when you lean into your passions.
11 – Where can we find you and your work?
I tell about my writing progress and WIPs more or less regularly on my Tumblr blog @kittensartwriting! I’m always happy to find more like-minded writing buddies!
Thank you so much to Karkki for agreeing to be a guest on today’s post! I enjoy picking my friends’ brains with overly specific questions about certain things, so it was fascinating for me to read through all the detailed thoughtful answers with SO MANY brilliant ideas behind them. I’m thrilled to be able to share it with my readers too. If you liked reading about her process, I highly recommend checking out the rest of Karkki’s work and supporting her WIPs! You absolutely won’t regret it. Thank you for reading, and I’ll see you next week! 🙂
Runaways is my middle-grade portal fantasy novel, currently in the drafting stage. If you’re unfamiliar with its plot and characters, you can find an introduction to the story and read its first lines on the WIP Page. This scene comes from near the middle of the story, once Hannah has finally reached the faerie realm in search of her younger sister. 1447 Words, CW for glamour/illusions.I hope you enjoy reading!
The guards led Hannah from the cavern through a dark tunnel that twisted one way, then another. She tentatively reached one hand out to follow along the wall, and they didn’t stop her. It didn’t help her sense of direction. The walls of the tunnel occasionally caved out into branching pathways, and they turned so many times, Hannah was sure they must have retraced their path twice or thrice. Seashells in the woods wouldn’t help her find her way home. A spool of golden string did Theseus no good sitting back at home. She doubted there were seashells aplenty or string long enough to find the way through this maze.
Something roared. Distant growling grew louder as her captors forced her ever forward. Hannah didn’t dare slow her steps, even as dread knotted in her stomach. But her fears were unfounded as finally, the earth took a sharp slant upwards, and they emerged out of a cave behind a waterfall. The thunder of water echoed off the rocks, and she let out a sigh of relief as she realized it wasn’t a monster. The mist sprayed in her face as they rounded the barrier and emerged into a forest of blazing red. Autumn leaves graced the branches of trees that towered unbelievably high. She craned her neck, but couldn’t see the end.
A million twinkling stars hung in the dark sky. A galaxy of fireflies lit the clearing with dancing lights. The stone path continued before them, lined by wildflowers that grew as high as her waist. Garlands that held golden lanterns lined the path as well and drew the attention of diaphanous gossamer moths. They flitted about the party, and one even landed on her hair. Hannah couldn’t stifle a laugh of delight as it perched on her head. She caught the lead guard grinning at her out of the corner of her eye, clearly pleased that she enjoyed the spectacle.
In the distance, the sights and sounds of a gathering solidified into the form and sounds of a palace. The guards marched her up the front steps, through the towering columns, and through the throng of gawking fae. Hannah could scarcely watch before they spun away in a mad dance. It felt like Masquerade. Each played the phantom, and she the unwitting attendant. The music soared and twisted, a lively melody that wound around her and pulled her into the intoxicating revelry. She resisted the urge to twirl in time with the tune. If she began, she could not stop, and for the first time, she was thankful for her guards pulling her on ever forward to her destination. She clapped her hands over her ears. What if the piper was here? As part of the band, with his mask of a face, and colorful clothes, he’d fit right into the motley crowd.
As she entered the throne room, she thought maybe she shouldn’t be thankful they brought her to yet another trial. Two thrones stood atop a raised dais in a semi-circular room. Servants hurried to bring trays of food to their monarchs. The queen sat distinguished in a silvery celestial gown and enjoying delicacies, dropping no fruit on her dress. She had a wild look in her large golden eyes, indigo skin that marbled with violet, and black hair that spilled over her shoulders like clouds of ink. Her wings were like Luna moth’s, huge and pale green, and she held a glass of chocolate wine just in danger of tipping over.
If the queen embodied night, the king personified day. He sprawled across her lap, leaning casually sideways in the throne they shared. Dark freckles stood out like sunspots on pale yellow skin. A tousle of golden curls framed his face, crowned with a wreath of ivy. He wore a plum colored robe and sandals that now dangled from his feet. One hand held a glass of sparkling champaign, and the other held a leg of meat. He laughed with an attendant, and his dark eyes flashed with enjoyment.
“Now what do we have here?” Hummed the queen.
The guard that had been leading Hannah stepped up to speak with a sharp salute, lifting the beetle wings high and proud. “We found this one at the northern gate. Fell through fighting one of the Piper’s agents. Said she wasn’t a spy. Looking for a changeling. Told her we’d let you decide.”
“Well done, soldier!” said the king. “What fun, what excitement! A wonderful opportunity!”
Hannah shuddered to wonder what that meant. She took a step back, abruptly sober and wary.
“May we have your name, little one?” The queen crooned. Hannah set her jaw. She prepared for this.
“You may not have my name, but you may call me Maria,” She answered. There were millions of Marias in the world and they bore a good name – a safe, powerful, beautiful one, but not hers.
“Let us offer you these sweet cakes then, Maria,” The king said. A platter materialized out of the air, filled with luscious tarts.
“I humbly decline, for I had my meal at home.”
They grinned, an identical, sharp-toothed grin. “What do you seek from the Seelie Court of Autumn?” The queen asked.
“Which do you want?” the king asked, “For there are many.”
“My dear,” the queen purred, “You’ll have to be more specific than that.”
Yes, she would need to be exacting in her request, lest they pull a horrid trick on her for their amusement. Lest they endanger Cec- her sister. Best to avoid even thinking her name in their presence. Who knew what they could do?
“I believe your people took my sister last night during the thunderstorm, between the hours of midnight and four today. She spoke of the Piper, and his flutes on the wind. I couldn’t hear his music, because he didn’t come for me. She vanished the next morning. I wish for her freedom to return to our home and our parents.”
“You wish, hmmmmmm?” The king mused. “We do not owe you a wish, but yours is a noble plea.”
Her heart leap with hope. Would they consider?
“Why?” the queen asked.
Why? A million reasons, but should she reveal her heart now? Hannah ventured for a safe answer. “Because our mother and father will be cross with us if we return late for dinner,”
“Why?” Insisted the king.
Hannah’s stomach turned as they pressed into her with that driving tone. The facade of indulgent amusement dropped like taking off a mask, leaving behind hard, angry eyes. Why did they toy with her? Was her request so unreasonable?
“Because she left without a word, and I am worried for her.”
“Why?” Hissed the queen.
“Because I miss her. Because I love her.”
They gave her those same, sharp-toothed grins again. Hannah wanted to slap those smiles right off their silly little faces. She held her breath as they waited for an agonizingly long moment before the king spoke.
“How do you know her, when you cannot call her by name?”
Around her appeared a dozen figures–girls that all looked exactly like Hannah’s sister. They all gazed at her with wild, desperate expressions. She shrunk back, but more popped up behind her. Hannah scowled at the ring of possible imposters as she realized the trick. One would be the truth, trapped in the game. The others would be illusions. She had to choose.
She closed her eyes and took a deep breath to steady herself.
“I know her by her footsteps when she creeps into my room at night to watch the thunderstorms.” They took a step towards her, menacing. Those three, those were wrong. Hannah snapped open her eyes and banished several of the imposters. With a wave of her hand, they vanished into a puff of smoke.
“I know my sister by her laugh when I tell her a terrible pun,” Hannah said. The girls all laughed, seemingly on command. She couldn’t tell apart individual voices, but there was a silence from one side as one didn’t laugh. She had said nothing funny. Banished. Vanished. Smoke.
“I know her by her kindness when she sneaks our cats extra treats. I know her by her competitiveness when she jumps off the top of a maple tree to beat me in a race.” One flinched at the idea of breaking bones, but her sister never hesitated with heights. Banished. Vanished. Smoke.
One remained. Hannah locked eyes with it through the smoke and her eyes stung with tears. “I know my sister,” she repeated. “And she knows me.”
Welcome back to the Reading Rec series, where I rant about my favorite books and talk about how reading and analyzing them can make us better writers! This month, I’m covering tropes and how to adapt them to different stories, and there’s no better genre for this than folktales. Because these stories are so ingrained in pop culture, everyone already knows the main characters, plot beats, and motifs, which makes them perfect to translate into retellings. Not only does this series have a great premise, it also has great cover design. Even if you’ve never read this series, you can guess the main character of each book.
This article will focus on the first book, Cinder, and will contain spoilers. At first, I tried to write this article by explaining the tropes out of context, but in the end they were worked into the plot so well that it was impossible. These books are fairly predictable in terms of overall plot by nature of being fairy tale retellings, but there are some interesting twists within the way they connect, so proceed at your own discretion if you’d like to read this series with a fresh view. Content Warnings for plague, fire/burns, mind-control, and fantasy racism. Rereading these books in 2021 is really interesting, because while they don’t predict every aspect of a pandemic, they still hold up in a lot of ways and the story and characters are as interesting as ever. I meant to skim the story to find the certain quotes I wanted to use, but ended up sitting down and reading the whole book in an afternoon!
Hello Hello! This post is going to be a little different from the usual Personal Process series, since this week it’s a special request from my good friend Katie Koontz. I interviewed her about her character Bolte for an earlier post, and when she asked me to cover character tropes, I wholeheartedly agreed! Today, I’m doing a deep dive into how tropes are used in storytelling, some fun ways to play with them, and offering a few exercises to think about how they impact your story.
Tropes as Tools: Definitions, and how they differ from cliches.
There are a MILLION definitions out there but for the sake of this article, I’m going to use the broadest term: A Trope is a storytelling shortcut or motif that conveys information to the audience. If you notice a pattern, plot device, symbol, or archetype in three separate pieces of media, it could be classified as a trope. In fact, even the Rule of 3 is a ubiquitous trope. Every piece of media has them, and they aren’t objectively good or bad, they just exist. Saying you’re trying to write without tropes is like saying you’re going to write without a font.
School’s out! This was my third semester of Zoom University, and I cannot tell you how happy I am to be done with that nonsense. I survived organic chemistry and thermodynamics, finished my business minor, and missed my GPA goal by only 0.02 points, so I’ll take what I can get. Thankfully, I’ll be back on campus for next semester, and I’m half done with my undergrad degree now, so I am looking forward to a quiet summer of work and catching up on my writing! I also can’t believe how much I was able to get done as soon as I wasn’t spending all my free time studying. This month was a win on all counts, and I’ve got big plans for break!
Overall Goals: Won by 6.5 points – 19/24
Creative Goals: Won by 1 point – 4/6
Publish the end of Four Hours for Bridge Four:This is my Stormlight Archives fanfic, now completed! I rewrote the sea shanty “Four Hours” by the Longest Johns into a bridge-crew work song, and wrote one-shots to go along with each stanza from the different members of Bridge Four. I’m really pleased with how it turned out, and even more pleased that it’s done and I can add another WIP to the Completed Works bin. It’s on AO3 if you want to check it out!
Edit 10k in Storge:This month, I’ve finished chapters 5, 6, and half of 7, which translates to about 30K words and 60 pages total. I’ve also reworked my plan for the middle to resolve a lot of issues with exposition, pacing, and tying subplots into the main arc. Projected length for the book is 120K words in 26 chapters, which means I’m also about a fourth of the way through the edit. Small progress, but good progress nonetheless! If you’d like to read a more in-depth breakdown of my editing process, you can check out this post.
Write 5K in Runaways: Unfortunately with the way finals worked out in the first two weeks of the month, all my writing got pushed to the end and by focusing on Storge, I just ran out of time to finish this goal. Sometimes that happens when you prioritize, but at least I was able to mark off one of them instead of splitting my time and not marking off either.
Draw 20 things: I had intended to do mermay but between finals, work, and writing, I think I only did ten doodles and most of them were human OCs anyhow. I did a few illustrations for friend’s birthdays, and it was fun to work on new characters!
Catch up on Goodreads reading goal: A brief tangent, but is anyone else annoyed that Goodreads counts “Books” as the only metric of reading rather than pages, or time spent? It takes me a month to get through a Stormlight book and three hours to finish a middle grade fantasy – what gives? Podcasts also count as audiobooks now, apparently, so I was able to retroactively add the first 3 seasons of The Magnus Archives. When most of my reading happens through audio in the car, that’s a really nice feature. Not included in the formal count, but totally included in my personal count, is the novel I beta read for my friend Siarven: Dreams Shadow. It’s one of my favorites this year, and I was honored to interview them about it’s worldbuilding! If you’re curious, you can check out that article here.
Queue Website posts and post to Instagram 2x a week: Done! If you want to catch up, there’s an archive pinned to the top of my homepage 🙂
A short post for this week, since by the time you read this I’ll be on vacation, but hopefully it’s an interesting one! This month, I’ll be covering Tropes and Adaptations, which was a topic recommended by my good friend Katie. If you want to recommend a topic of your own, please feel free to leave a comment! Until then, Happy writing! 🙂
This month brings you a scene from the second draft of Storge, specifically the inciting incident in chapter 2. It is a fight scene, so content warnings for blood and two “on screen” minor character deaths. It’s 1470 words, so nothing tooo long. I’m super excited to share this with you since it’s one of my favorites and I’ve only ever shared isolated lines before, so please let me know what you think!
Every butcher, baker, farmer, tailor, merchant, laborer and beggar packed themselves into the cramped arena stands to experience the spectacle. Seldom did they see bloodshed beside their own, and they would not waste the opportunity for entertainment. Stuck as they were, Grace strained to see over the crowd. They held their breath against the stench of body odor and fish that baked into the air under the hot evening sun. Luca fought the urge to take off his long-sleeved shirt to cool off, but the sight of the Atilan viewing boxes made him think twice. He tugged the edges down over his wrists instead.
Venders hawked their wares to the crowd, hoping to make some extra money off the event by selling the oily, salty snacks of dried meat. The advertising cries drowned when the crowd rose in a sea of shouting as guards dragged the rebel Master onto the sand. He didn’t take arrest easily. Blood and sweat shone on his bald head and dripped down his bare, lash-scarred back. They chained his hands behind his back, but it didn’t stop him from straining against his bonds. It took three soldiers to force him to move. Jeers sounded as the people of the city unleashed their pent-up frustrations and anger.
The High Atil strode onto the raised dais that stood in the exact center of the arena and raised his hands for silence. Gradually, the crowd hushed and anticipation replaced the fervor. He sneered at the rebel leader and slowly stretched out his arm, pointing his index finger towards the ground.
Today I’m covering a short story that may already be familiar to my American followers from our high school English classes. Ray Bradbury is the author of many famous dystopian, science fiction and fantasy works such as Fahrenheit 451, and I was introduced to “The Pedestrian” as the primer for our unit on that book. While most English classes focus on analyzing diction and prose, and I could have picked any of the countless pieces I had to dissect over the years, I picked this one because I remember how vivid it was, and how it was the first time I really understood the way words could be used to draw somebody into a story. 10th grade was the year I started seriously learning about the writing craft and working on my own books, and this was the first time I really read like a writer. The act of being able to pick apart a story and learn how it works and then using that knowledge to put your own stories together is a valuable skill that I need to practice more, and it’s what I’m hoping to share with you by doing this series of reading recommendations. So let’s see what we can learn together, shall we?