Happy Easter! Thank you for being patient with the delay in my posting schedule from Friday to today. I wanted to observe Good Friday with my family, and didn’t think it was appropriate to post this at the same time, so I waited to publish it until after the holiday. A new post on worldbuilding will be going up on this upcoming Friday too, so that will get me back into the regular schedule.
That being said, I’m happy to show that I did win this month after two relatively unsuccessful months. The spring semester is still in full swing, and with the way my classes coordinate, I have an exam in a different subject nearly every week. In February, I didn’t realize this, and was way too ambitious with how many goals I set. I also tried to multitask, so I made incremental progress but didn’t get anything actually marked off. Keeping that in mind, I was able to change my approach for this month, and I think it worked pretty well!
Cecilia disappeared. She didn’t wander off following fireflies again. She isn’t hiding in the library, and she couldn’t go out into the storm last night. No, Hannah is sure that faeries stole her sister, and she’s taking the search into her own hands. Armed with their father’s green coat, a steel pocket knife, and a red string tied round her ankle, she stomps into the first mushroom ring she finds to demand her best friend back. Soon she finds herself on a dangerous and extraordinary adventure, navigating between the Seelie and Unseelie courts and trying to find her way back home before dinner.
Hannah: 13 years old, totally mundane human, and the oldest in her family. Clever, unconditionally loving, and protective. She’s got Pure Underdog Fairy Tale Protagonist energy with a heaping side of Too Curious For Her Own Good.
Cecilia: Supposedly 10 years old, runs away into the forest one Halloween to find the Seelie court and protect her family from a horrible fate. She’s mischievous and quick witted, but likes nothing more than climbing into bed with her older sister to read stories long after the lights are supposed to be out.
The Taken: A mysterious girl with no name who attacks Hannah when she enters the faerie woods. She looks human, but wields vicious magic and answers to an entity called The Piper.
The Piper: A boogeyman, one of the unseelie court. One of those creatures parents invoke to convince young children to behave.
This takes place in a vaguely modern-day Earth. Hannah and Cecilia live in the countryside in an old farmhouse with their parents. They have a big garden, and woods in the backyard that are also home to a tiny hidden faerie realm. The Seelie and Unseelie courts are (broadly speaking) the benevolent but still dangerous, and actively malicious faeries respectively. They have an uneasy truce, but in the times when they did war with each other for power, the immortals didn’t want to die for the conflict. Instead, they steal changelings to do their dirty work, since it’s so much easier to let the mortals do that sort of unpleasant fighting. The faeries they leave in the child’s place act as spies and keep the humans from getting involved. The practice has fallen out of use for some time, but bold unseelie still steal children occasionally for their own uses. Even though this great cosmic sort of battle is taking place in the backdrop, the story just focuses on the sisters.
Faeries have all the magic powers and wish granting abilities as the old legends and stories. Sometimes they’ll bestow magic unto a particularly exemplary human that finds them, but always beware of a hidden “catch.” These people are known as “powers.” This story takes place at Halloween and so there are cameos from different minor nature spirits and the aesthetic has a lot to do with the weather changing and fog on the fields and red leaves fringed with frost. Some of these background characters include folk heroes, various trickster spirits, and “Jack,” one guy from the the mid 1100s that was clever and unlucky enough to star as protagonist in no less than six faerie tales.
Genre: Portal Fantasy novella, middle grade/YA
Themes: Family, sisterly love and bonds, escaping evil
POV: Third person deep/limited, mostly from Hannah’s POV
Status: Outlined, using a combination of the Hero’s Story and a 3-act-structure
Goal: 35K words, 12 chapters. Hopefully I’ll be finished with drafting by the end of the year! My plan is to try to self-publish this story first, so I can make all my rookie mistakes on a different WIP from Storge. I know there’s a lot to learn about the process and I’d like to grow my author’s platform with a smaller standalone debut novel before releasing The Laoche Chronicles. For comparison, Storge has 7 POVs, 4 suplots, and is 110K+ words long. I now have three original projects going at the same time: drafting this story, editing Storge, and outlining the Laoche Chronicles, so I’m going to do my best to divide my free time between them so that I can get done on time. Wish me luck!
Welcome to the last part of this series and the thrilling conclusion of the book! If you happen to be reading this in the future and missed the first three parts, I’ll leave links to those here so you can catch up: Part 1, Part 2, Part 3. Obviously if you don’t want to see how the book ends, avoid this part for the sake of spoilers. I also wanted to put a trigger warning at the beginning of this one for suicide. It’s been mentioned before in the book, but one actually does occur in this part, so steer clear if that’ll be troubling for you. Stay safe, my friends!
When we last left off, the pieces were in place, the secrets known and ready for release, and the undoings begun! The coward Caderousse was murdered by Benedetto – Villefort and Madame Danglar’s illegitimate son, now masquerading as an Italian nobleman named Andrea Cavalcanti thanks to the Count’s patronage.Danglars is teetering on financial ruin after losing a million francs in the stock market, so he’s set up a marriage between his daughter Eugenie and Andrea to get his money. Noirtier’s Bonapartist political affiliations ruined an unwanted arranged marriage between Valentine and Franz, and potentially his son’s Royalist political career, but instead of now being free to marry her true love Maximilian Morrel, she’s been framed as a poisoner. Meanwhile, the Count still can’t figure out his feelings for Mercedes, and news about Fernand de Morcerf’s military scandal in Greece was leaked toa local newspaper. Though it was missing any connection to the family name, Albert was still concerned, and asked his friend Beauchamp to investigate.
The Morcef Mess, Chapters 85-93
This chapter opens with Beauchamp arriving at Albert’s home to tell him the bad news that he has solid proof of his father’s crimes in Greece. Because the original story didn’t have a direct link to the Morcerf family however, this news can still be suppressed, and Beauchamp promises no to release it because of his friendship with Albert. He thanks his friend and visits with the Count for a vacation at the beach. Three days later however, the story is published in a rival newspaper linking Morcerf with the whole scandal and Albert rushes back to Paris to do damage control and hear the whole story. Fernand belonged to the government Chamber, and after the news got out, they ordered a trial and extensive investigation into the betrayal. At the trial, Haydee appeared and testified to the murder, as well as how Fernand sold herself and her mother into slavery and presenting evidence in the form of the selling/buying contracts from Monte Cristo.
Hello! I’m picking up again today with this series, but if you missed the first two parts, you can read those at the following links: Part 1, Part 2. For convenience sake I’ll put a summary and color code guide, but if you’re already up to speed, you can skip the next paragraph.
When we last left off, Edmond Dantes (aka the Count of Monte Cristo, Abbe Bussoni, Lord Wilmore, and Sinbad the Sailor) had moved to Paris and started meddling in the affairs of the other characters. He gets the default black color. His old love, Mercedes, who recognizes him but says nothing out of fear and her son Albert are pink. The Count met Albert in Italy and saved him from bandits.Mercedes’s husband, Fernand Mondego (aka The Count de Morcef), in red, accused Edmond of treason to get him out of the way but doesn’t recognize him as the count. He is now wealthy after a military career in Greece.The reader also meets the Count’s “slave” and friend – a Greek girl named Haydee who is traveling with him.The Morrel family are old friends of Edmond is green. Notably, Maximilian is in love with Valentine de Villefort, but their marriage is impossibledue to a family grudge and her existing arranged engagement. Her grandfather, Noirtier loves her to death and does not get along with his son due to differing political views. He is disabled due to a stroke but communicates with her through blinking. Valentine’s mother hates her, dotes on her son, and takes an interest in poisons while ignoring her husband. Valentine’s father, the prosecutor Gerard Villefort, sentenced Edmond to prison, and tried to bury a baby in a box one time before he got stabbed by Bertuccio – a man with a vengance who took the child and raised him as his own. Their fun dysfunctional family is violet colored. The child, Benedetto, grew up to be a criminal and ran away from home at age 11. He’s not missing, and he gets Brown.. In the meantime, Bertuccio was also witness to Caderousse (the old cowardly and selfish neighbor) killing a jeweler to keep a diamond and large sum of cash. He was last seen on the run from the police, and is shown in yellow. The Count also makes an impression on Danglars, the greedy sailor who schemed to betray Edmond now turned banker, by taking out a huge line of credit. We also meet Madame Danglars, a scheming woman who doesn’t actually like her husband very much. Their daughter, Eugenie is engaged to Albert Morcef, and the family gets this blue color.
Taking a quick break from The Count of Monte Cristo to post this, but I’ll be back with Part 3 next week! Do you need to catch up? These are the links for Part One and Part Two of this reading recommendation/plot analysis. This past month started spring semester for me, and I unfortunately over-estimated how much free time I would have, especially with this week being midterms. Yikes. 32 goals is a lot even for break, so I’ll definitely be readjusting for March to be a little more realistic and manageable. My other problem is that I tried to multitask, and since I was splitting my time and attention between multiple goals, I didn’t actually finish and mark of either of them. So no points for partial credit, but it’s a lesson learned for next time!
Welcome back to the summary! If you missed the last entry in this series, I’d recommend reading that first to catch up on the story. To recap the color coding, our protagonist, Edmond Dantes (aka the Count, Monte Cristo, Abbe Bussoni, Lord Wilmore, and Sinbad the Sailor) gets the default black color. His old love and fiancee, Mercedes, is pink. Her current husband, Fernand Mondego (aka The Count de Morcef), in red, accused Edmond of treason to get him out of the way, and is now wealthy after a military career in Greece. Edmond’s kindly employer and true friend, Monsieur Morrel, and the rest of the Morrel family including Maximilian and Julie are green. The greedy sailor who schemed to betray Edmond, now the rich banker Baron Danglars and his family members are blue. The cowardly and selfish neighbor who said nothing during the betrayal, Caderousse, gets yellow. And finally, Villefort, the prosecutor who sentenced Edmond to life in prison for his own political gain, as well as his family, get violet.
Hopefully that paragraph doesn’t hurt your eyes too much to read. Any new characters or plot elements will also fit into one of those colors to indicate a connection to the main ones. Also, I’ve figured out how to embed the original illustrations, so this should be a little more visually interesting than a wall of text this time. Let me know what you think!
Italy, Chapters 31 – 39
This section starts 10 years after the last events covered in part one, and in a completely different part of the Mediterranean with a completely different character: a young Parisian nobleman named Franz who lands on the island of Monte Cristo to go boar hunting. It’s supposed to be an abandoned scrap of rock, but instead, he finds there the crew of Sinbad the Sailor. Franz is blindfolded and taken to have dinner with Sinbad, who shows him an incredible display of wealth before drugging him and sending him on his way to Rome to meet up with his friend, Albert de Morcef – son of Fernand Mondego (aka the Count de Morcef) and Mercedes.
Welcome to February and March’s reading recommendation! In keeping with the outlining theme of the month, today I’m sharing a book with one of the most complex and interesting plots I’ve ever read. I listened to The Count of Monte Cristo audio book last summer and it is now one of my favorite classics. There are several movie and TV adaptations that I haven’t seen, but I want to focus on the book to demonstrate how Alexandre Dumas handles a story that spans several decades and dozens of inter-character relationships. Its the sort of story that works really well because of the slow pacing of a book, rather than being constrained by an arbitrary time limit, and hopefully by dissecting it, we can learn a few things about how to do this sort of plot as well.
This book is 1243 pages, 117 chapters, and over 375K words long, so I’m splitting this post up into four parts and stretching it out over the next month. I wanted to make sure I had enough page time to give enough context and that’s the winning option from my polls. That being said, I think there’s a statue of limitations when it comes to spoilers in 177 year old books, so I’m going to prioritize the “what can writers learn” aspect of the analysis in this article. If you’d like to read more, the whole work is available for free download on Project Gutenburg. True to form, I’m also color coding this! Try to spot the themes as I explain the twisty plot points!
Welcome to the second entry in this series of Personal Process posts! This series is keeping with the theme of the month, and for February I’m going to be talking about outlining and plotting, since I’m neck deep in planning The Laoche Chronicles and this gives me the chance to both share some behind-the-scenes with you, as well as give you some tips on how I make outlining work for me. This is just my process, and I’m not saying it’s the end all-be all for plotters, just another method that you might be able to learn from and adapt to suit your storytelling needs.
It works particularly well for very complicated series, but if I’m working on a more straightforward contemporary novella, I’ll skip over the whiteboard step and go straight into the document outline. For short stories, I might just make a bullet point list of Stakes, Beginning, Middle, Climax, End, Character Drive. I find that knowing how to tackle all the different angles leads to a better understanding of structure in general, so I find it interesting to study all the different scopes, then change this process to fit the needs of my current WIP.
Step 1: Brain Dumping
At this point, I probably have some semblance of a premise and characters for this idea, and possibly also an endgame idea of where I want to take the story but not middle or clue of how to get from point A to point B. This is where I collect ALL the thoughts. Usually, I do this between phone notes and a document on my laptop for brainstorming, but I also use voice memos or whatever else works. I’ve drawn ideas on my hand in pen during a life guarding shift before and just taken pictures of my inked-over arm before I have to jump into the pool again. It happens. In any case, you have ideas.
General goals: 20/36 – WON BY TWO Creative goals: 6.5/13 – WON WITH NO MARGIN
I barely scraped past the mark this month, but this is also more goals than I’ve ever set before – ten more than my usual average of 26. Because I was on winter break for most of this month, I wanted to be as productive as possible on my creative projects, since I expected to have more time for them. I also started a new job with a wildly unpredictable schedule, so my designated writing time was a lot more scattered. Ironically, I might be more productive during the semester when I know I have an hour each morning to write before classes. I’ve posted the rest of my goals to my studyblr, which is also where I’ll be updating on a day-to-day basis for the new semester! If you’re curious at all about how this fantasy writer is also a chemical engineering student, you can go check that out.
Now the question is, What have I learned from my over ambitious goal-setting in January? Nothing. My February list has 34 goals. Wish me luck!
Welcome to January’s Special Feature! Today I’m talking with one of my great writer friends about how she writes complex and compelling character arcs! Katie is an accomplished author who writes across several genres including Fantasy, Sci-fi, Horror, Poetry, and Contemporary summer reads. She also does art, and drew the illustration of her OC, Bolte, for this post’s header/preview image. Katie is active in the writing community on tumblr and is one of the nicest people I’ve met there, so I’m happy to be able to share her fantastic personality and advice with you today!