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Most writers have a serious love/hate relationship with editing. Rereading your old writing is a special type of painful, but the process of refining the words into something beautiful can be thoroughly satisfying as you watch your skill with writing grow. I’ve been editing the first draft of Storge recently, so I am closely acquainted with that feeling, but I’ve figured out a method at works for me and makes the job a whole lot more enjoyable. It won’t be perfect for everyone, but I thought I’d share it in case you could learn something from it!
For context, when I say I’m editing the “first draft”, I mean I’m editing the first completed draft of the story. It’s the first full manuscript I’ve finished, not the very first set of words I put to page. I started several variations of the story before realizing I had too many plot holes and characterization problems to continue. Then I would quit drafting after few chapters to go back to the drawing board. There were a few reasons for that original block. First, Storge is a very complicated story and I didn’t have enough experience or skill to execute it yet. Second, I was still figuring out my own process and didn’t yet know that I needed a detailed plan in order to tell that kind of story. I think this draft is the 5th version, but it’s the only completed one, which means its the only one that really matters for the sake of this discussion. All of my planning and scrapped drafting ahead of time helped eliminate a lot of plotholes and teach me about my writing process, but it’s not what’s actually being edited today.
I’m also planning to self-publish, and so this guide is geared to that end goal. I do not know where beta readers and professional editors fit into the querying and traditional publishing process, so I’ll hazard a guess that it’s best to go with what the professionals say. Additionally, this process focuses on long novels, but it can also be used for short stories and other works. The steps just would take less time and require fewer cycles of double checking. I wrote this to be as cohesive as possible, but you can always scale it down if needed.
That being said, now what? I’ve got a finished manuscript – how do I even start making sense of this 110K word thing??Continue reading
Hello and happy April! I don’t know about all of you but I am Thrilled that spring is finally here (at least where I live), even if it means I’m going a bit stir-crazy during my online classes. This was a busy month for me – though to be fair, I don’t know when it isn’t a busy month. I’m happy I was able to get so much done between my classes and job, but I’m looking forward to the summer when I can make faster progress on all my fun projects.
7/9 Creative Goals
Do basic website “housekeeping”: As I learn more about building an author’s platform, WordPress, and web design, I realized that this blog was a mess. There was no homepage explaining that it is a writing blog, navigation was convoluted and out-of-date, and the blog feed included the whole post which made it a pain to scroll through. I didn’t understand why my traffic stats were so bad when I was putting so much work into my posts, but once I figured out what I was doing wrong I was able to put some temporary fixes in place until I have time to do a proper overhaul (and teach myself HTML and CSS) over the summer. I’m really proud of how this turned out! If you have a minute to spare, click around the site and see how everything looks. I also made a survey so I can see what content is your favorite and how I can make this blog better. If you could fill it out that would be such an incredible help to me!
New updates include:
- The menu is organized by topic, and under the “My Writing” page are sub-pages for each of my main WIPs.
- The pages for each WIP have been updated to include a synopsis, excerpts if possible, featured posts, and a master list of post links for that topic so you can easily find all the information for that story.
- I figured out how to use the special blocks on WordPress so now my featured/related posts sections look pretty
- I edited each post to have related post links at the bottom so that you can easily click from post to post without having to navigate back out to the main menu. I also edited them to have “read more” links, so you don’t have to scroll though the whole thing to get to the next post on the main page.
- The main landing page for the site is still a chronological blog feed, but there’s a sticky post at the top which includes information about what I post, navigation menus, master-links, featured posts, social media handles, and a search bar
- Misc. editing and updating to individual posts and pages to make everything up-to-date
Welcome to April’s Special Feature! Today I’m talking with one of my great writer friends about how they create epic immersive fantasy worlds! Siarven is an incredible author and illustrator, and I’ve recently had the absolute honor of beta-reading their WIP, Dreams Shadow, which features in this interview. I’m super excited to share their cleverness and creativity with you all today! For this interview, my parts and questions are in the headings, and their responses are everything written below.
Question 1: First can you tell me about yourself and what you write?
Hello 🙂 I’m Jana, I go by Siarven online 🙂 I’m 24 and currently study VFX with a focus on Concept Art. Storytelling has always been my first and most powerful passion, from telling stories out loud to myself (and my little brother) when I was small, to visual storytelling in various different forms, to loving film scores most of all because they tell a story with sound. Besides art and writing, I also play the flute & piccolo and love to sing because music has always been incredibly important to me. I adore the natural world (plants and animals and fungi and such) because it’s deeply fascinating to me and am very passionate about protecting it from destruction. Also just in general, I’m absolutely obsessed with how our world “works” from a cellular level upward, geography, biology, physics, how everything interlinks to make our world the way it is. Most of this stuff ends up in my wips in one form or another 😀 I also love hiking and going places by bike, and usually take my camera because nature photography is also my favourite ❤
I’m from Germany but prefer to write in English because I like my writing style a lot more and the German publishing industry kinda sucks but that’s a whole other can of worms… I mainly write hope-punk dark epic fantasy stories, but, to be fair, they’re usually a very wild mix of things that interest me, so you can find elements from all kinds of genres in there 🙂 The general important things are that it’s all rather hope punk, both protagonists and antagonists have rather grey morality levels, there’s a variety of cool creatures, powerful platonic relationships of various kinds abound, and there’s an often rather mean magic system. Basically all my characters are some shade of queer because that’s very important to me personally. It also almost always spirals out of control because I love complex, interwoven story lines the most, which is very unfortunate for me. XD
Question 2: When you start a WIP, what’s your starting point? Do you build worlds from the ground up, or does the story come first, and you paint in the world as a backdrop as needed, or something in the middle?
Interesting question! 😀 I’d say it varies, actually? My main WIP Dream’s Shadow grew out of an image of a young boy’s ghost standing behind his grieving mother at his hospital bed. Like Dragons of Old grew out of roughly 20 paper scraps where I’d scribbled small random ideas like character names, character relationships, a striking visual, things like that. My newest WIP seed (I haven’t started writing it but I could in theory start now if I wanted to) grew out of an art I started for a uni course and two picrew portraits. xD In general, I think I start with two or three characters and how they relate to one another and the world around them, and all of that kind of grows organically at the same time. I don’t excessively world build, character-build, or plot before I start writing. I have a beginning, an ending (where the characters start and where they end up), I have a rough idea of what their world might look like, and then all of those things grow and develop as I write. But, mind you, I’m not sure how all of this will develop in future WIPs 😀 I’m still quite far at the beginning of this entire journey, and I usually only plan ahead a bit and then see how stuff works out 🙂Continue reading
Welcome to the world of Laoche! This is the home of all the stories in the (appropriately named) Laoche Chronicles, including a main trilogy (that has yet to be named) and the prequel, Storge. I first came up with the story in middle school, and as I learned more about the writing process, realized that I would need to write the prequel first to set everything up for the series. Now, I’m returning to my original concept, and revising it, which includes some updated worldbuilding and a new approach to my process.
All of this would be explained in-story as well as the reader follows along with the main characters going about their lives and navigating the conflict, so this isn’t strictly necessary to know before getting into the story. However, I’ve found that explaining it in an informational way like this helps people understand what on earth I’m talking about online, so I wanted to share. I also hope that a case-study like this will help be an example of what works (and what doesn’t) when you’re making a high/epic fantasy. 🙂
To start I’m going to share a map, so that all of these locations actually make sense.
When I first revisited this story, I realized that A) I’d lost most of my notes when that thumb-drive got stolen in 10th grade, and B) Most of it was pretty cliche, since I was 14 when I came up with it. So I pitched everything but the premise and my three favorite characters to start over from scratch:
The Premise: Madelyn (a mage with malfunctioning magic) and Seth (ex-prince of Arga) discover a magical artifact that changes how they view magic, and shifts the balance of power in the world, then have to deal with the ensuing fallout.Continue reading
Welcome back to the Reading Rec series, where I rant about my favorite books and talk about how reading and analyzing them can make us better writers. Following last week’s post about where to start worldbuilding, today I’m looking at a story that takes place in a modern earth setting but includes fantastical elements, and how the authors fit those two worlds together. In the interest of not doing another long ramble, and to show how to simplify the process, I wanted to look at a shorter children’s book. The Spiderwick Chronicles is a 5-book middle-grade series by Tony DiTerlizzi and Holly Black that follows the adventures of the Grace children as they encounter the faerie world.Continue reading
When I first started writing this post, I thought it was going to be an easy one to write. When I first started worldbuilding the world of Laoche, I found a bunch of question lists I liked online, and put them together into my own questionnaire that I thought encompassed everything you could possibly need to worldbuild. I’d just copy/paste that list of from my “blanks” document, mess with some formatting to make the enigmatic WordPress happy, and be on with my day. That’s when I stumbled across this website, a comprehensive worldbuilding checklist that includes more details than I could ever hope to come up with. It’s a great resource, and I’ve bookmarked it for future reference, but now I realized that I could just share this instead, and be out of a blog post. Instead, I’ve decided to explain how I decide where to start worldbuilding.
It’s very easy to get caught up in the world past the point where it’s relevant to the story. Big lists of things to consider don’t help with this either, because it’s easy to feel pressured to answer all the questions up front and build yourself a cage made of potential contradictions, or so overwhelmed that you consider switching to contemporary Earth. It’s also very easy to focus on your plot and characters so much you forget to put infrastructure into the background of the world, then struggle to fit in unique settings around the existing story that fit the themes.
I think it’s the most useful to start by asking cause and effect questions like, “What about the world influences the way my characters think?” and “What do I absolutely need to know to inform the plot?” These lists are supposed to be a guide where you can pick and choose what you want to work on, and what works for the story, then ignore the rest to figure out later, so your outline-stage worldbuilding can be as detailed or vague as you need it to be. If you find you need a certain gesture or fashion description as you write, then you can just come up with it on the spot, choosing what makes sense in that moment. Then add a comment or highlight to that section so you don’t forget what you came up with later. Your editing self will thank you for it. That all being said, I want to share my process on how to approach what aspects of worldbuilding in what steps so that I don’t get so overwhelmed and work on the most important things first.Continue reading
Happy Easter! Thank you for being patient with the delay in my posting schedule from Friday to today. I wanted to observe Good Friday with my family, and didn’t think it was appropriate to post this at the same time, so I waited to publish it until after the holiday. A new post on worldbuilding will be going up on this upcoming Friday too, so that will get me back into the regular schedule.
That being said, I’m happy to show that I did win this month after two relatively unsuccessful months. The spring semester is still in full swing, and with the way my classes coordinate, I have an exam in a different subject nearly every week. In February, I didn’t realize this, and was way too ambitious with how many goals I set. I also tried to multitask, so I made incremental progress but didn’t get anything actually marked off. Keeping that in mind, I was able to change my approach for this month, and I think it worked pretty well!
14 / 22 goals overall
5 / 7 Writing GoalsContinue reading
Cecilia disappeared. She didn’t wander off following fireflies again. She isn’t hiding in the library, and she couldn’t go out into the storm last night. No, Hannah is sure that faeries stole her sister, and she’s taking the search into her own hands. Armed with their father’s green coat, a steel pocket knife, and a red string tied round her ankle, she stomps into the first mushroom ring she finds to demand her best friend back. Soon she finds herself on a dangerous and extraordinary adventure, navigating between the Seelie and Unseelie courts and trying to find her way back home before dinner.
Hannah: 13 years old, totally mundane human, and the oldest in her family. Clever, unconditionally loving, and protective. She’s got Pure Underdog Fairy Tale Protagonist energy with a heaping side of Too Curious For Her Own Good.
Cecilia: Supposedly 10 years old, runs away into the forest one Halloween to find the Seelie court and protect her family from a horrible fate. She’s mischievous and quick witted, but likes nothing more than climbing into bed with her older sister to read stories long after the lights are supposed to be out.
The Taken: A mysterious girl with no name who attacks Hannah when she enters the faerie woods. She looks human, but wields vicious magic and answers to an entity called The Piper.
The Piper: A boogeyman, one of the unseelie court. One of those creatures parents invoke to convince young children to behave.
This takes place in a vaguely modern-day Earth. Hannah and Cecilia live in the countryside in an old farmhouse with their parents. They have a big garden, and woods in the backyard that are also home to a tiny hidden faerie realm. The Seelie and Unseelie courts are (broadly speaking) the benevolent but still dangerous, and actively malicious faeries respectively. They have an uneasy truce, but in the times when they did war with each other for power, the immortals didn’t want to die for the conflict. Instead, they steal changelings to do their dirty work, since it’s so much easier to let the mortals do that sort of unpleasant fighting. The faeries they leave in the child’s place act as spies and keep the humans from getting involved. The practice has fallen out of use for some time, but bold unseelie still steal children occasionally for their own uses. Even though this great cosmic sort of battle is taking place in the backdrop, the story just focuses on the sisters.
Faeries have all the magic powers and wish granting abilities as the old legends and stories. Sometimes they’ll bestow magic unto a particularly exemplary human that finds them, but always beware of a hidden “catch.” These people are known as “powers.” This story takes place at Halloween and so there are cameos from different minor nature spirits and the aesthetic has a lot to do with the weather changing and fog on the fields and red leaves fringed with frost. Some of these background characters include folk heroes, various trickster spirits, and “Jack,” one guy from the the mid 1100s that was clever and unlucky enough to star as protagonist in no less than six faerie tales.
Genre: Portal Fantasy novella, middle grade/YA
Themes: Family, sisterly love and bonds, escaping evil
POV: Third person deep/limited, mostly from Hannah’s POV
Status: Outlined, using a combination of the Hero’s Story and a 3-act-structure
Goal: 35K words, 12 chapters. Hopefully I’ll be finished with drafting by the end of the year! My plan is to try to self-publish this story first, so I can make all my rookie mistakes on a different WIP from Storge. I know there’s a lot to learn about the process and I’d like to grow my author’s platform with a smaller standalone debut novel before releasing The Laoche Chronicles. For comparison, Storge has 7 POVs, 4 suplots, and is 110K+ words long. I now have three original projects going at the same time: drafting this story, editing Storge, and outlining the Laoche Chronicles, so I’m going to do my best to divide my free time between them so that I can get done on time. Wish me luck!
Welcome to the last part of this series and the thrilling conclusion of the book! If you happen to be reading this in the future and missed the first three parts, I’ll leave links to those here so you can catch up: Part 1, Part 2, Part 3. Obviously if you don’t want to see how the book ends, avoid this part for the sake of spoilers. I also wanted to put a trigger warning at the beginning of this one for suicide. It’s been mentioned before in the book, but one actually does occur in this part, so steer clear if that’ll be troubling for you. Stay safe, my friends!
When we last left off, the pieces were in place, the secrets known and ready for release, and the undoings begun! The coward Caderousse was murdered by Benedetto – Villefort and Madame Danglar’s illegitimate son, now masquerading as an Italian nobleman named Andrea Cavalcanti thanks to the Count’s patronage. Danglars is teetering on financial ruin after losing a million francs in the stock market, so he’s set up a marriage between his daughter Eugenie and Andrea to get his money. Noirtier’s Bonapartist political affiliations ruined an unwanted arranged marriage between Valentine and Franz, and potentially his son’s Royalist political career, but instead of now being free to marry her true love Maximilian Morrel, she’s been framed as a poisoner. Meanwhile, the Count still can’t figure out his feelings for Mercedes, and news about Fernand de Morcerf’s military scandal in Greece was leaked to a local newspaper. Though it was missing any connection to the family name, Albert was still concerned, and asked his friend Beauchamp to investigate.
The Morcef Mess, Chapters 85-93
This chapter opens with Beauchamp arriving at Albert’s home to tell him the bad news that he has solid proof of his father’s crimes in Greece. Because the original story didn’t have a direct link to the Morcerf family however, this news can still be suppressed, and Beauchamp promises no to release it because of his friendship with Albert. He thanks his friend and visits with the Count for a vacation at the beach. Three days later however, the story is published in a rival newspaper linking Morcerf with the whole scandal and Albert rushes back to Paris to do damage control and hear the whole story. Fernand belonged to the government Chamber, and after the news got out, they ordered a trial and extensive investigation into the betrayal. At the trial, Haydee appeared and testified to the murder, as well as how Fernand sold herself and her mother into slavery and presenting evidence in the form of the selling/buying contracts from Monte Cristo.